Lucilin: Now! – Immersion
Immersion
Meditative and experimental music, composer Yang Song incorporates elements of traditional Mongolian music to create a unique experience for you.
Three works, three soundscapes, one fully immersive experience.
On June 4 at the Philharmonie Luxembourg, United Instruments of Lucilin presents « Immersion », bringing together three contemporary pieces that explore various forms of immersive listening and interaction between acoustic instruments and electronic devices.
Peter Adriaansz’s Waves 11–13 offers a slow study of micro-intervals and harmonic interference. In irrelevant noise, Chris Swithinbank explores the tension between instrumental sounds and electronic noise, set against a critical backdrop inspired by British legislation. Finally, Yang Song presents Die Tiefe Ferne, a new work combining instrumental ensemble, Mongolian diphonic singing, ambisonic spatialization, and video.
A program focused on attentive listening and the relationship between sound, space, and culture.
Peter Adriaansz (1966), No 39 Waves 11–13 for variable ensemble of treble instruments, sinetones and subsonic waves (2008) 18’
Chris Swithinbank (1988), irrelevant noise [subsection (1)(ab)(i)] (2021) 8’
Yang Song (1985), Die Tiefe Ferne for ensemble, electronics and immersive sound system (world premiere) 30’
After the concert:
Peter Adriaansz, Chris Swithinbank et Yang Song in conversation with Pascal Meyer (in English)
United Instruments of Lucilin
André Pons-Valdès, violin
Danielle Hennicot, viola
Esther Saladin, cello
Sophie Deshayes, flute
Alex Lallemang, clarinet
Olivier Sliepen, saxophone
Pascal Meyer, piano
Frin Wolter, accordion
Guy Frisch, percussion
Wenli, voice (on tape)
Cédric Fischer, live electronics
Wolfgang Lehmann, video
Photos: © Alfonso Salgueiro/Yang SONG